Wilder, Billy - Double Indemnity [limited Edition] (Uk Import)
Releasedatum: 25 juni 2012
“That’s a honey of an anklet you’re wearing, Mrs. Dietrichson.”
Double Indemnity is the dazzling, quintessential film noir whose enormous popular success and seven Oscar nominations catapulted Billy Wilder (Some Like It Hot, Sunset Boulevard, The Apartment) into the very top tier of Hollywood’s writer-directors. Adapted from a novella by James M. Cain (The Postman Always Rings Twice), co-written by Wilder and Raymond Chandler (The Big Sleep, The Long Goodbye), Double Indemnity remains the hardest-boiled of delectations.
Insurance hawker Walter Neff (Fred MacMurray) gets seduced by some other man’s wife: a bored, sex-starved Barbara Stanwyck done up in lorry-grille wig and a pair of lips like wine grapes smashed in candle-wax. She wants to off her better half and collect on his policy, but spitfire claims-adjuster Barton Keyes (Edward G. Robinson) smells a rat – or at least the cheap perfume all over that Dietrichson file.
Neff himself ties up the twisting plot in a neat bow: “We were talking about automobile insurance, only you were thinking about murder. And I was thinking about that anklet.” The Masters of Cinema Series is proud to present Billy Wilder’s Double Indemnity for the first time anywhere in the world on Blu-ray.
Exclusive new high-definition restoration, officially licensed from Universal Pictures
Optional English subtitles for the deaf and hearing-impaired
Audio commentary by film historian Nick Redman and screenwriter Lem Dobbs
Shadows of Suspense — a 2006 documentary featuring film historians, directors, and authors discussing the making of Double Indemnity
1945 Screen Guild Theater radio adaptation of Double Indemnity, starring Barbara Stanwyck and Fred MacMurray
The original theatrical trailer
Isolated music and effects track
36-PAGE BOOKLET featuring a 1976 interview by John Allyn with Billy Wilder; an extract from a 1976 interview with James M. Cain comparing his original serial with Wilder’s film adaptation; documentation of novelist and Double Indemnity co-screenwriter Raymond Chandler’s attitude toward working within the Hollywood studio system; an extract from the original screenplay depicting the excised “death chamber” ending; a note on the restoration; and rare archival imagery.
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